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Symphonic Virtual Orchestration

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What is the course About?
Welcome to the Symphonic Virtual Orchestration Course!
About the instructors
Instrucciones SVO en Español
Assignments
Calendar
Chats: Weekly and Daily
FB Group
Masterclass Replays
Support
Discounts
I'M A COMPOSER STUDENT DISCOUNT
DISCOUNTS on Other Courses
Discounts on LIBRARIES, PLUGINS, and SOFTWARE
Synthestration. Tactics for a good sound
Introduction
Difference – Samples & Real Orchestra
Recording Dynamics
Balance
Balance - Bonus Video
Panning
Layers: Distributing your Musical Ideas
Volume: 7, 11, Kontakt, Audio, Gain, etc
Keyswitches
Equalization
Assignment
Using Templates to Boost Productivity
Introduction
Routing Concepts
Small & Big Templates. Pros & Cons
Routing. Within Your Sequencer
Minimum set-up
Modular Template (Sonar & Cubase)
Organization: Groups, Kontakt Instances, Buses, Stems
Organization - Bonus Video: Setting up your DAW for film scoring
Reverbs
Computer Specs
Bonus: Latency Optimizing
Bonus - Sketching Super Patches
Bonus Video: Creating a very basic ORCHESTRAL TEMPLATE
Bonus Video: How to Build Multis In Kontakt & How To EQ Inner Patches
Assignment
Part 1: Arranging for Samples, Techniques Compilation
Introduction
Ready-to-go Tracks: configured and pre-routed
Getting a Tight & Powerful Orchestral Sound
Orchestrating Percussion Beds
Sequencing a Percussion Bed
Ensemble Patches: benefits and when to use them
Sequencing Long Strings
Sequencing Trumpets
Horn Patches: for an epic cinematic sound
Tremolo Strings
Low Staccato Strings: for an epic cinematic sound
Assignment
Part 2: Arranging for Samples, Techniques Compilation
Introduction
Strings Measured Tremolos/Staccatos
Sequencing Fast Strings - Three Approaches
The Timpani, as a main orchestral percussion instrument
Blending Orchestral and Percussion Parts
Blending Choir and Orchestra
Compressing Velocities. The easy way.
Is importing MIDI from the score editor to sequencer a good idea?
Sketching in your Sequencer
Composing ala John Williams / Alan Silvestri - Common Synthestration Mistakes
Assignment
Mixing (1). Secrets of the Pros
Introduction
Mixing with Stems
Analog Saturation
Reverb
Equalization
Compression
Automation: Where the Magic Happens
Bonus Video - Remember: a good mix cannot fix arranging/composing mistakes
Assignment
Mixing (2). Secrets of the Pros
Mixing - Overview Sections
Mixing - High Strings
Mixing - Low Strings
Mixing - Strings Automation
Mixing - Horns
Mixing - Trumpets
Mixing - Choirs
Mixing - Brass Ensemble
Mixing - Flute
Mixing - Electric Bass
Mixing - High Percussion
Mixing - Mid & Low Percussion
Mixing - Piano
Mixing - Celesta
Mixing - Harp
Mixing - Connecting Reverb
Mixed Track
Assignment
Mixing (3). Expanding Mixing Depth
Expanding Mixing Depth
Expanding Mixing Depth - Reverbs
Expanding Mixing Depth - Delays
Expanding Mixing Depth - FX
Expanding Mixing Depth - MaxxBass
Assignment
Mastering
Introduction
Mastering - Overview
Mastering - Analog Saturation
Mastering - EQ
Mastering - Exciter
Mastering - Dynamics
Mastering - Imager
Mastering - Maximizer
Mastering - Automation
Mastered Track
Bonus Video - Mastering with standard (non UAD) plugins
Assignment
Composing Workflow: Efficiency
Introduction
Composing
Mixing
Assignment
The Tool & the Sound
Introduction: Why This Series
Albion ONE Template - #1 - Sketching Patches
Albion ONE Template - #2 - Testing the template with a Trailer Track
Albion ONE Template - #3 - How To Build Multis & How To EQ Inner Patches
Albion ONE Template - #4 Chris Young Spiderman Transcription Part 1
Albion ONE Template - #5 Chris Young Spiderman Transcription Part 2
Albion ONE Template - #6 CHRIS YOUNG SPIDERMAN ANALYSIS PART 3
Nucleus Template - #1 - Before We Start
Nucleus Template - #2 - Sketching Patches
Nucleus Template - #3 - Strings & Percussion Patches
Nucleus Template - #4 - Testing Template
Nucleus Template - #5 Live Composing JNH Running On Raindrops
Nucleus Template - #6 Analyzing The Score
Nucleus Template - #7 - From Sketch to Orchestra
Iconica #1 - Testing the library
Iconica #2 - Action Cue
Iconica #3 - Love Cue
Templates
Bonus #0 : I´M A COMPOSER
Composition...
Sample Libraries - Beyond Orchestral Realism
Move Fast! - Using Your Sequencer
"Cinematic Sound" Definition
Basics of Music Theory
Telling a Story With Harmony
Building an Orchestral Template from Scratch with Albion ONE (over-the-shoulder video)
Templates files for Nucleus and Albion ONE
How Do I Find TV Movies and Additional Music Gigs?
ACTION - How do I compose an intense action cue? - Quick Introduction
ACTION - How do I compose an intense action cue? - Style Definition
ACTION - How do I compose an intense action cue? - Creating The Motor
ACTION - How do I compose an intense action cue? - Adding Stuff On Top Of The Motor
ACTION - How do I compose an intense action cue? - Hybrid Sound
ADVENTURE - In depth - Captain America - The modern cowboy
ADVENTURE - In depth - Captain America - Melody and Harmony
ADVENTURE - In depth - Captain America - Orchestration
Bonus #1: Class A Composers' Systems, Explained
Introduction
Tom Holkenborg
Harry Gregson-Williams
John Powell
Bonus #2: Case Studios, Behind the Scenes (PRO Version)
Thriller/Spy/Comedy
Romantic Love Ballade - Part 1
Romantic Love Ballade - Part 2
Grand Orchestral Trailer - Intro
Grand Orchestral Trailer - Composing
Grand Orchestral Trailer - Mixing
Grand Orchestral Trailer - Mastering
Action/Adventure - Synthestration
Action/Adventure - Mixing 1
Action/Adventure Mixing 2
Bonus #3: Studio Ergonomics (PRO Version)
Basic Desk Schematics
Composer Desk Under $70
Minimal Gear and How to Distribute It in Your Desk
Bonus #4: Sample Libraries List (EXPERT Version)
Marc Jovani's Template
Bonus #5: 1h Coaching Call with Marc (EXPERT Version)
Bonus #6: 1h Coaching Call with an active composer working in the Hollywood industry (EXPERT Version)
FAQs

Part 1: Arranging for Samples, Techniques Compilation

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Part 1: Arranging for Samples, Techniques Compilation
Languages: es EN

Horn Patches: for an epic cinematic sound

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