Course Language: English
the film scoring
process
from short films
to hollywood
blockbusters
Step-by-step walkthroughs. Short actionable videos!
TRY IT RISK FREE - 7 DAYS MONEY BACK GUARANTEE
the film scoring
process
from short films
to hollywood
blockbusters
Step-by-step walkthroughs. Short actionable videos!
TRY IT RISK FREE - 7 day moNey back guarantee
SOME OF MARC'S CLIENTS
Christopher Young - Composer: Spider Man
Marc Jovani is the real deal. His courses are a hit! This course is exactly what you need to get started as a film composer!
Dennis Sands - Mixing Engineer: Avengers
Marc's courses are excellent. They provide both a foundation and advanced techniques. If you're getting started in the art of film scoring, this course is perfect for you!
*Conditions apply. Read Terms and conditions.
Based in Los Angeles. Has composed soundtracks for more than 50 movies
Has provided music for major studios such as NETFLIX, Amazon, Lionsgate, Syfy, FOX.
His movies have been distributed internationally on leading, nationally broadcasted television channels, including Lifetime (USA), TF1 (France), the Hallmark Channel (USA), Canale 5 (Italy), Antena 3 (Spain), HBO (USA) and more.
His music has been recorded in major studios: Warner Bros (Burbank), EastWest (Hollywood), and others.
Co-founder of Cinematic Composing (2016) with more than 10.000 students and growing
Berklee College of Music: Composition, Scoring for Film & TV, and Orchestration teacher at Berklee (2010-2016)
When you buy the course, you'll join the Cinematic Composing community. In this group, we do live classes and masterclasses with Cinematic Composing teachers and Hollywood Composers. You'll have access to these live classes for life.
❏ Every week, we’re hosting a live video-chat. All chats are recorded so you can watch them later if you can’t attend the session
GET EDU DISCOUNTS
(... when you buy the course ...)
All our students are eligible for student discounts for libraries, plugins, and gear. This perk alone saves you hundreds of dollars composing software & libraries! Members also save 30% discount in all Spitfire products, 50% FabFilter and Cinesamples, 20% in Cinematic Studio Series & Heavyocity, 30% 8Dio, Soundiron and more!
WATCH ONE LESSON FROM THE COURSE
Scene Analysis, Structure, and Preparing to Compose
Complete Curriculum
• Intro: Understanding the Film Scoring process
THE MOVIE
• Watching the Movie: What to look for when watching the movie for the first time
• Movie structure
• Narrative layers
• Committing to the project
MUSICAL CONCEPT
• How to come up with a good Musical Concept that fits narrative of the movie
• How to make the Musical Concept evolve as the storyline progresses
SPOTTING SESSION
• What is the Spotting Session
• How to take notes during the Spotting Session
CLIENT (DIRECTOR, PRODUCER)
• Creating the system to send music for review
• Handling music rewrites
YOUR TEAM
• Co-composer or Additional Music Agreement
• Systems
• Telling a Story With Harmony
THE SUITE
• What is it and why do we need to compose a suite
• How many sections does it need to have
• How to test if the musical ideas from the suite work for the movie
WORKING REMOTELY
• Sharing Musical Concept & Suite
• Communicating Concept to Team (ie. Co-composer or Additional Music composer)
TEMPLATE
• Adapting template to project - for unique sound
• My film scoring template
EFFICIENCY
• Control over dialogue, temp, music
• Setting up system to efficiently set markers, tempo, & time signature
STRUCTURE
• Structure Analysis
• Setting up markers
• Adjusting Tempo
• Adjusting time signatures
COMPOSING
• The Conflict/Resolution technique
• When to have the theme come in
• Adding depth
• Adding intensity
• Slowing down the scene: drones
• Speeding up the scene: pulses
EXAMPLES LIVE COMPOSITION
• Scoring Suspense
• Scoring Action (Chase Scene)
• Scoring an Opening Scene
EXPORTING CUES
• Exporting Video
• Compressing Video if needed
• Exporting Master
• Exporting Stems
• Assembling Pro Tools Session to send to dub stage
• Using checklists to avoid mistakes
PRACTICE
• Scenes with no music for you to practice.
PRACTICE - OPTION #1 - The Birds
• Video File with SMPTE
• Master Cue Sheet / Spotting Document
• Final result (Momentum Students)
• Assignment Explanation
PRACTICE - OPTION #2 - TV Movie
• Video File with SMPTE
• Master Cue Sheet / Spotting Document
• Assignment Explanation
• Introduction
• Movie #1: Sharing first scene with Director, Producer, and Editor
• Movie #1: Sharing Musical Concept with Co-Composer
• Movie #2: Sharing first Scene with Director
• Movie #2: Sharing Musical Concept with Co-Composer
• Movie #2: Communicating Musical Direction Change to Co-Composer
• Movie #3: Sharing Musical Concept with Additional Music Composers
• Movie #3: Explaining first few cues to additional music composers
• Movie #4: Introduction
• Movie #4: Composing a Cue - Step by Step Process
• Movie #4: How to Upload a Cue to Trello and Update the Spotting Document
• Movie #4: How to Re-upload a Rewrite to Trello (and Update Spotting Document)
• Movie #4: Mastering Chain In Stems (Not Master Track!)
• Movie #4: Music Concept - Obsession Motive
• Movie #4: Music Concept - Villain at Work
• Movie #4: Music Concept - Money Problem + Daisy's POV
• Movie #4: Music Concept - Happy Family Moments
• Movie #4: Music Concept: M1 Opening Cue Explained
• Conclusion
• Spotting Session in Pro Tools
• Separating movie in reels
• Exporting Markers
CueDB
• Setting up different views
• Keep track of progress to deliver on time
• Accessing videos in CueDB
• Dealing with multiple (updated) movie edits/cuts/turnovers and how to re-conform
• Remote Spotting Session: Screencast/Zoom, Pro Tools, CueDB
• Sharing files with the team
• Delivering score if you don't use Pro Tools
• Tracking progress of orchestration work
• Preparing session depending on instrumentation needs
• Taking notes from the recording session
• Naming convention
ORCHESTRATION
• Midi cleanup
• Mockup stems
• Orchestration
RECORDING PROCESS
• Pro Tools Session: click track, tempo, stems
• Delivering recording session tracks, overdubs, and individual mockup tracks to mixing engineer
• Pro Tools session to deliver score to final dub stage
YES. You can go at your own pace. Don’t need to follow the course’s schedule. The course materials do not expire and you’ll have access to them for life. Even for the future course updates and improvements!
You can do it a bit faster, or take as much time as you want/need.
Or you could even take advantage of the discount now, and be doing the course later. The chat sessions get recorded and you can watch the replay whenever you want.
Also, you’ll have access to the course materials for life, as well as to the Facebook group AND the weekly chats. You can join any weekly chat that you want, even if your course has finished.
Marc uses Cubase. But, all the concepts that you'll learn apply across the board, no matter what sequencer you use. In fact, more than a 1/2 of our students are Logic users.
The same concept applies to plugins & libraries. You can learn and apply all the concepts taught in the course using any basic or free plugins and/or library. Once you're in the course, you'll have a better idea of what is the next plugin/library you'll need to buy. Plus, you'll be around a great community of composers who already own those plugins and can give you valuable feedback or advice what library to invest in next.
Also, when you join Film Scoring you'll get access to a private group. The group is a great place to ask questions if you get stuck. That’s where you’re really going to get a lot of extra help and encouragement when you’re stuck or when you're trying to apply the concepts learned in the course to your own DAW, both from Marc and from other composers who can speak to your exact issues.
No. For more information, please read the answer to the last question 👆
Also, once you enroll in this course, you can get access to discounts on many sample libraries and plugins! Just ask for a certificate of enrollment once you're in.
This course will pay for itself with the amount of money you'll save from the educational discounts you'll get! ;)
Yes. The contents of this course are only in English at the moment.
You’ll have access to the course materials for life.
You don not need a Mac for this course. Marc uses a PC. Half of our Cinematic Composing students are Mac, the other half are PC.
Any computer, desktop or laptop, with an i5 or similar (i7 desired), 8-16Gb of RAM (more is better but not needed), and 256Gb of free HDD storage for samples (SSD desired) will be enough to get you started. You can always upgrade later.
The course consists of video lessons. At the end of the course, you'll get a certificate of completion.
Yes. We are giving you a full 7 DAYS to go through the training, implement what you learn, and watch your production skills begin to grow.
If you reach out within 7 days to show us that you haven’t seen any progress, then we’ll be happy to return the investment.
However, please note that refunds are not possible if you have downloaded the downloadable material.
*Conditions apply. Please read Terms and conditions.
Ends on .
• You’re not alone.
• Teachers to support you.
• A community of more than 10,000 composers like you that had the same struggles you're having now and that are eager to help out.
• Weekly live video chats where you can participate and ask questions.
• Periodic masterclasses with actively working composers, orchestrators, and mixing engineers.
• Go at your own pace. The teachers will always be there to support you.
• Access for life.
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