Course Language: English
Transform Your Musical Ideas into an Orchestral Score
With playable scores embedded in the course.
This videos show you how the music should be notated and how things sounds.
TRY IT RISK FREE - 7 day moNey back guarantee
Transform Your Musical Ideas into an Orchestral Score
With playable scores embedded in the course.
This videos show you how the music should be notated
and how things sounds.
TRY IT RISK FREE - 7 DAYS MONEY BACK GUARANTEE
CHRISTOPHER YOUNG - Composer: SPIDER MAN
Marc Jovani is the real deal. His courses are a hit! This course is exactly what you need to get started as a composer!
DENNIS SANDS - Mixing Engineer: AVENGERS
Marc's courses are excellent. They provide both a foundation and advanced techniques. If you're getting started, this course is perfect for you!
FROM SKETCH TO ORCHESTRA
– ORCHESTRATE YOUR MUSICAL IDEAS –
FLASH SALE
Ends on .
JOSE CANCELA - 5 Time EMMY Award Winning Composer
What Marc is creating with Cinematic Composing and all its courses was very much needed in this industry. Everything that you need to know to get started and beyond is right here!
CONRAD POPE - Orchestrator: JOHN WILLIAMS (STAR WARS)
Marc is opening doors and giving access to the best knowledge to so many people who want to get started as composers. The content you find here is hard to find anywhere else. Keep it up!
WHAT'S INSIDE THE
ORCHESTRATION COURSE?
In this course, you'll find all you need to start orchestrating your music.
First, you'll learn each instrument of the orchestra, how it sounds in each range, and how to write for them. Then you'll learn how to use them inside the orchestral context and how to combine them with other instruments.
Part 1️⃣ - INSTRUMENTATION: Learn each orchestral instrument, range, timbre, and playing techniques.
Part 2️⃣ - ORCHESTRATION: How to write for each orchestral instrument or section when performing a melody, countermelody, or accompaniment.
Part 3️⃣ - TEXTURES & BALANCE: Typical orchestral textures, how to maintain orchestral balance, and how to create separation and association when combining different instruments.
The course also includes weekly classes that you can attend or watch replay later, as well as masterclasses with Hollywood composers.
It also incorporates playable scores embedded in the course. This videos show you how the music should be notated and how things.sounds.
ACCESS
FOR LIFE
GO AT YOUR
OWN PACE
FREE
UPDATES
7 DAY MONEY BACK GUARANTEE
If you're not satisfied with the courses, get in touch within 7 days and we'll give you a full refund.*
*Conditions apply. Read Terms and conditions.
Peter Moore - Melbourne, Australia
Great supportive group to be a part of. Real people with real struggles and dreams. Lovin' it!
Thomas Rhea - Virginia, USA
I am only into day 2, I am so impressed! The chat/interactive video chat... and the customer service is WAY more than I thought this experience was going to be!
WEEKLY LIVE CLASSES
PRIVATE COACHING COMMUNITY
YOUR TRANSFORMATION
– YOU'LL BE ABLE TO DEVELOP YOUR MUSICAL IDEAS –
FROM A SIMPLE SKETCH INTO A FULLY FLESHED OUT ORCHESTRAL SCORE
NO MUSICAL TRAINING OR DON'T READ MUSIC?
Don't stress out! ;) We'll teach you to read orchestral music!
Every new concept that you learn comes with video examples.
Each video highlights exactly the notes you have to look at.
Also, there is a voice over explaining what's going to happen in the score and what do you have to pay attention to.
PERSONAL MENTOR
Marc Jovani
Based in Los Angeles. Has composed soundtracks for more than 50 movies
Has provided music for major studios such as NETFLIX, Amazon, Lionsgate, Syfy, FOX.
His movies have been distributed internationally on leading, nationally broadcasted television channels, including Lifetime (USA), TF1 (France), the Hallmark Channel (USA), Canale 5 (Italy), Antena 3 (Spain), HBO (USA) and more.
His music has been recorded in major studios: Warner Bros (Burbank), EastWest (Hollywood), and others.
Co-founder of Cinematic Composing (2016) with more than 10.000 students and growing
Berklee College of Music: Composition & Orchestration teacher at Berklee (2010-2016)
WHAT DO OUR STUDENTS SAY?
BONUS #1 - WEEKLY CHATS
When you buy the course, you'll join the Cinematic Composing community. In this group, we do live classes and masterclasses with Cinematic Composing teachers and Hollywood Composers. You'll have access to these live classes for life.
BONUS #2 - SUPPORT
"ORCHESTRATION: from Sketch to Orchestra"
Complete Curriculum
INSTRUMENTATION
LET'S GET STARTED! – BASIC CONCEPTS
• Welcome
• Introduction
• Evolution of the Orchestra: Introduction
• Evolution of the Orchestra: Late Renaissance and Baroque
• Evolution of the Orchestra: Classical Period
• Evolution of the Orchestra: Romantic and Post-Romantic • Period
• Evolution of the Orchestra: 20th Century
• Size and Balance in Today’s Context
• Clefs
• Transpositions
• The Score and Parts
• Score Editors - Notation Software
• Conclusion
THE STRING SECTION
• Introduction
• The String Section
• The Instruments: the Violin (+ examples)
• The Instruments: the Viola (+ examples)
• The Instruments: the Cello (+ examples)
• The Instruments: the Contrabass (+ examples)
• Left Hand: the Strings
• Open Strings
• Double, Triple and Quadruple Stops
• Double Stops
• Triple and Quadruple Stops
• Harmonics
• Right Hand: the Bow
• Right Hand: Down and Up Bow
• Right Hand: Bow Techniques
• Right Hand: On the String Bow Techniques
• Right Hand: Off the String Techniques
• Right Hand: Techniques Depending on the Place on the String
• Right Hand: Other Techniques
• Subdivisions Part 1
• Subdivision (Extreme Type of Divisi) Part 2
• Subdivision (Solo) Part 3
• Subdivision Part 4
• Conclusion
THE BRASS SECTION
• Introduction
• The Brass Section
• The Instruments: the French Horn
• The Instruments: the Trumpet
• The Instruments: the Trombone Family
• The Instruments: the Tuba
• Techniques
• Techniques: General Articulations
• Techniques: Other Techniques
• Mutes
• Subdivisions - Part 1
• Subdivisions - Part 2
• Conclusion
THE WOODWINDS SECTION
• Introduction
• The Woodwind Section
• The Instruments: The Flute Family (Flute)
• The Instruments: The Flute Family (Piccolo)
• The Instruments: The Flute Family (Alto Flute)
• The Instruments: the Oboe Family (Oboe)
• The Instruments: the Oboe Family (English Horn)
• The Instruments: the Clarinet Family (Bb, and A Clarinet)
• The instruments: The Clarinet Family (Eb Clarinet)
• The Instruments: The Clarinet Family (Bass Clarinet)
• The Instruments: the Bassoon Family (Bassoon)
• The Instruments: The Bassoon Family (Contrabasoon)
• Techniques
• Techniques: General Articulations
• Techniques: Other Techniques
• Subdivisions (First Example)
• Subdivisions: More about Subdivisions
• Conclusion
THE HARP AND KEYBOARD INSTRUMENTS
• Introduction
• The Harp
• Harp: Techniques
• Orchestral Keyboard Instruments
• The Piano
• The Celesta
• Orchestral Keyboard Instruments: Playing Techniques
• Orchestral Keyboard Instruments: Common Techniques
• Conclusion
THE PERCUSSION SECTION
• Introduction
• The percussion section
• Pitched/Memb: the Timpani
• Pitched/Idioph: the Mallet Family
• Pitched/Idioph: the Xylophone
• Pitched/Idioph: the Marimba
• Pitched/Idioph: the Vibraphone
• Pitched/Idioph: the Glockenspiel
• Pitched/Idioph: the Crotales
• Pitched/Idioph: the Chimes (Tubular Bells)
• Unpitched/Memb: the Snare Drum
• Unpitched/Memb: the Bass Drum
• Unpitched/Memb: the Concert Toms (Tom-toms)
• Unpitched/Memb: the Timbales
• Unpitched/Memb: the Bongos
• Unpitched/Memb: the Congas (Tumbadoras)
• Unpitched/Memb: the Tambourine
• Unpitched/Idioph: the Cymbal
• Unpitched/Idioph: the Triangle
• Unpitched/Idioph: the Tam-tam
• Unpitched/Idioph: the Anvil
• Unpitched/Idioph: the Woodblocks
• Unpitched/Idioph: the Temple-blocks
• Unpitched/Idioph: the Claves
• Unpitched/Idioph: the Castanets
• Unpitched/Idioph: The Maracas
• Unpitched/Idioph: The Whip (or Slapstick)
• Conclusion
ORCHESTRATION
ORCHESTRATING FOR STRINGS
• Introduction
• The influence of the harmonic series
• Partials, Overtones and Harmonics
• The Harmonic Series and How It Affects the Orchestration
• The String Section
• The String Section: the Functions
• Performing Melodies
• Performing Counterpoint
• Performing Homophonic Textures
• Performing Runs
• Performing Patterns of Accompaniment
• Doubling Other Sections
• Combinations Within the String Section
• Voicing for Strings
• Voicing for Strings: Samples and Piano Sketches
• Conclusion
ORCHESTRATING FOR BRASS
• Introduction
• The Brass Section
• The Brass Section: the Functions
• Performing melodies
• Performing counterpoints
• Performing Homophonic textures
• Performing runs
• Performing patterns of accompaniment
• Doubling Other Sections
• Bringing the orchestra to a new dynamic level
• Combinations within the Brass section
• Voicing for Brass
• Voicing for Brass: From Samples to Acoustic Instruments
• Conclusion
ORCHESTRATING FOR WOODWINDS
• Introduction
• The Woodwind Section
• The Woodwind Section: The Functions
• Performing Melodies
• Performing counterpoints
• Performing homophonic textures
• Performing runs
• Performing patterns of accompaniment
• Doubling other sections
• Combinations within the Woodwind Section
• Voicing for Woodwinds
• Woodwinds: From the Sketch to the Orchestration
• Conclusion
ORCHESTRATING FOR THE PERCUSSION SECTION AND THE HARP AND KEYBOARD INSTRUMENTS
• Introduction
• The Percussion Section, Keyboards and Harp
• The Percussion Section, Keyboards and Harp: the functions
• Featuring Musical Material
• Performing Accompaniments
• Performing Hits
• Raising the Dynamics Level of the Orchestra
• Doubling other sections
• Percussion: From the Sketch to the Orchestration
• Conclusion
ORCHESTRATING FOR ORCHESTRA - FROM SKETCH TO ORCHESTRA
• Introduction
• Layers: Association and Separation
• Balance (1)
• Balance (2): the families
• Balance (3): separation and balance
• Voicing for a symphony orchestra
• Conclusion
• BONUS: From Sketch to Orchestra: Handwritten Orchestration #1 The Idea
• BONUS: From Sketch to Orchestra: Handwritten Orchestration #2 Handwritten Orchestration
• BONUS: From Sketch to Orchestra: Handwritten Orchestration #3 Mockup
• BONUS: From Sketch to Orchestra: Q & A
HOLLYWOOD VOICINGS
Dramatic Love
Dramatic Love Style Deffinition
Action High Intensity
Action High Intensity
BONUS: Action High Intensity - Composing
BONUS: Action High Intensity - Mixing
Fantasy and Magic
Fantasy and Magic
Dramatic Sadness
Dramatic Sadness
The 5 Layer System and How to Create Separation
Supernatural Grandeur
Supernatural Grandeur
Action Mid Intensity
Action Mid Intensity
Suspense
Suspense
Adventure
Adventure - Synthestration
Adventure - Mixing (Part 1)
Adventure - Mixing (Part 2)
BONUS #1
The 5 Layers System
BONUS #2
Arranging/Synthestration for Woodwinds and Brass
BONUS #3
Voicings When Synthestrating for Strings, Brass and Woodwinds
FREQUENTLY ASKED QUESTIONS
I don't have time to take this course right now. Should I still buy it?
YES. You can go at your own pace. Don’t need to follow the course’s schedule. The course materials do not expire and you’ll have access to them for life. Even for the future course updates and improvements!
You can do it a bit faster, or take as much time as you want/need.
Or you could even take advantage of the discount now, and be doing the course later. The chat sessions get recorded and you can watch the replay whenever you want.
Also, you’ll have access to the course materials for life, as well as to the Facebook group AND the weekly chats. You can join any weekly chat that you want, even if your course has finished.
Do I need to buy any plugin before taking this course?
Read the answer to the last question 👆
Also, once you enroll in this course, you can get access to discounts on many sample libraries and plugins! Just ask for a certificate of enrollment once you're in.
This course will pay for itself with the amount of money you'll save from the educational discounts you'll get! ;)
Is this course only in English?
Yes. The contents of this course are only in English at the moment.
How long will I have access to the course materials?
You’ll have access to the course materials for life.
Do I need a Mac to take this course? What type of computer do I need?
You don not need a Mac for this course. Marc uses a PC. Half of our Cinematic Composing students are Mac, the other half are PC.
Any computer, desktop or laptop, with an i5 or similar (i7 desired), 4-8Gb of RAM (16 desired), and 150Gb of free HDD storage for samples (SSD desired) will be enough to get you started. You can always upgrade later.
How is the course built? And is there some kind of certificate we receive at the end?
The course consists of text and video lessons. At the end of the course, you'll get a certificate of completion.
Do you have a refund policy?
Yes. We are giving you a full 7 DAYS to go through the training, implement what you learn, and watch your production skills begin to grow.
If you reach out within 7 days to show us that you haven’t seen any progress, then we’ll be happy to return the investment.
*Conditions apply. Please read Terms and conditions.
LAST CHANCE PRE-LAUNCH SPECIAL PRICE!
Ends on .
Our Commitment to You
• You’re not alone.
• Teachers to support you.
• A community of more than 10,000 composers like you that had the same struggles you're having now and that are eager to help out.
• Weekly live video chats where you can participate and ask questions.
• Periodic masterclasses with actively working composers, orchestrators, and mixing engineers.
• Go at your own pace. The teachers will always be there to support you.
• Access for life.
Cinematic Composing, LLC is not associated with Facebook or Facebook, Inc.
FOR SUPPORT ISSUES OR QUESTIONS, PLEASE EMAIL US AT [email protected]
Copyright © 2024• Cinematic Composing • A Cinematic Composing LLC Brand • All Rights Reserved • Lake Forest, CA
THE "I'M A COMPOSER" 5-DAYS CHALLENGE (FREE*)
*Get your money back if you complete the challenge! Bet on yourself! ;) *But still, even if you don't complete the challenge, if you believe we haven't given you $97 worth of value, ask for a refund and we'll gladly refund your money :)
1. Learn the Basic Music Theory
2. Set Up Your Ideal Workspace that JUST WORKS3. and have a Proven Composing Workflow Ready To Go!!
So You Can just Sit Down And Start Composing THE MUSIC THAT YOU LOVEWithout Struggling with TECHNICAL OVERLOAD
They are a Thousand courses out there, none of them are so inspiring,helpful, and enjoyable as cinematic composing! It’s worth every penny!Thank you for being a part of this big family🙂
“These courses have been a fantastic experience thus far. I'm already learning more than I ever could. It's far superior than just searching for online tuts. This course is all a hit!.”
Whether it’s a film, TV show, video game or music production, the information you will learn in this class is very valuable and will be useful for the rest of your career.
THE "I'M A COMPOSER" 5-DAYS CHALLENGE
FREE*
Transform your life in 5 days. Become a composer. Starting from 0 knowledge.
Spend about 1 hour per day. Be a composer by the end of the week.
*Get your money back if you complete the challenge! Bet on yourself! ;) *But still, even if you don't complete the challenge, if you believe we haven't given you $97 worth of value, ask for a refund and we'll gladly refund your money :)
HERE'S THE PLAN:
I’ll hold your hand as you compose your first song and I’ll take you step by step. One day at a time. One challenge at a time.
And we’ll do this in a practical way. We’ll keep it simple and we won’t overthink it. I’ll put it simple for you. You just need to watch a 30 minutes lesson and put about 30 minutes of effort each day.
DAY 1- You’ll write your first mini-piece of music. Just using chords. You’ll learn how to use harmony effectively.
If you don’t have a studio yet, you’ll learn how to set up a basic studio to start composing and download the first sounds to get started.
The whole thing will take less than 1 hour!
Day 2- You’ll write your first (or next) piano sketch. I’ll show you the “right” way of doing this so you can orchestrate it with instruments tomorrow.
This will take less than 30 minutes.
Day 3- You’ll orchestrate yesterday’s sketch with instruments (strings, percussion, etc). You’ve composed your first mini-song! Your first piece of music!
This is easier than you think and it will take less than 30min!
Day 4- You’re improve your composing system so you can compose faster the next time. You’ll download some free libraries (I'll tell you exactly which ones) and you’ll build a basic template that will supercharge your composing workflow.
Day 5- Compose your next piece of music. This time it will be even faster than the last time
You have a system. You have the knowledge. You’re a composer!!
3-Day Flash Sale! 🍂 NOVEMBER Sale 🍂 The CHALLENGE STARTS IN:
Whether it’s a film, TV show, video game or music production, the information you will learn in this class is very valuable and will be useful for the rest of your career.
“These courses have been a fantastic experience thus far. I'm already learning more than I ever could. It's far superior than just searching for online tuts. This course is all a hit!.”
They are a Thousand courses out there, none of them are so inspiring, helpful, and enjoyable as cinematic composing! It’s worth every penny! I'm so happy to be part of this big family! 🙂
- Establishing Your Workspace - VALUE $137
Discover the tools you're going to need and how to set them up to get the most efficient workflow. Your keyboard/controller, your interface, what DAW to use... and how to set them up for speeeeed! 🚀
- Orchestral Programming - VALUE $151
Learn about some basic REVERB types and discover how best to use them to help pull your various libraries together and ADD DIMENSION TO YOUR SOUNDS. Learn about STEMS and TEMPLATES.
* All contents included in the POWER PACKAGE VERSION
- MY TO GO SAMPLE LIBRARIES LIST: V. $97
Learn what are my favorite libraries to achieve a Cinematic Sound... (HOLLYWOOD knocks on your door!!! :P )
- Establishing Your Workspace
Discover the tools you're going to need and how to set them up to get the most efficient workflow. Your keyboard/controller, your interface, what DAW to use... and how to set them up for speeeeed! 🚀
- Production highlights
VALUE $151
Learn about some basic REVERB types and discover how best to use them to help pull your various libraries together and ADD DIMENSION TO YOUR SOUNDS. Learn about STEMS and TEMPLATES.
* All contents included in the POWER PACKAGE VERSION
AND ALSO...
- MY TO GO SAMPLE LIBRARIES LIST: VALUE $97
Learn what are my favorite libraries to achieve a Cinematic Sound... (HOLLYWOOD knocks on your door!!! :P )
- Composition for Film: a Study of Styles - value $497
- Library Music: Create Passive Income Streams - value $497
- Music Theory & Composition Master - value $497
AND ALSO...
- MARC JOVANI´s TEMPLATE - value $47
- MAKE YOUR FIRST $10.000 - value $47
- JOB SHADOWS - value $97
- 12 REDUCED SCORES - value $37
Great team, great people, always want to get you high again and again.I'm really really happy to see positives things in this group and really proud of being here.From about last November(2020), I've progressed a lot. Thank you, guys. You're making my dreams come true. ❤
"If you’ve been looking for real world, workable answers and solutions on how to set up and structure an effective film composition recording and production environment this is the course for you. Film composer Marc Jovani cuts to the chase on setting up workable templating, the pros and cons of many popular sound libraries, best practices for mixing and mastering along with tips on how to handle the variety and complexity of requests you will encounter this business. Marc’s passion for film scoring is only surpassed by his desire to educate both aspiring and established composers to be the best and most competitive music professionals they can be."
I'm enrolled in the Cinematic Composing course and I'm actually learning a lot. I didn't know Daw, so I emailed and was immediately advised. I know that this walk I'm taking in my studies, is very important, since we are in the digital age. I am a professional musician and knew very little about this subject. Thank you for enjoying this course
I have been studying orchestration for years. Everything is comprehensive and the instructors respond quickly when asked questions. I will be signing up for more courses in the future!
Gracias a este curso he encontrado la soltura que necesitaba para empezar a dominar la composición para orquesta.
In personal experience this is one of the best composition course around the internet... I like the way topics are explained with energy and passion!I really recommend this fantastic course.
I have started courses with Cinematic Composing, and I have already learned new techniques that I am already using in my music and I see many more to come. The materisl is consise, presented at a good pace, the instructors are great, the resources plentiful and the value makes it worth the investiment of time and money.
The course is very comprehensive in different topics that a film composer need to know.Higly recommended course for any one who is interested in composing music for film
For the first time I found Cinematic Composing website I knew inmediately that this is exactly what I've been looking for. I've learn so much, I'm so happy.Higly recommended course for any one who is interested in composing music for film
The course is very good and helpful, the information is so detailed it makes it so much easier to understand.
This course is awesome and extremely helpful for all composers. It has helped me a lot with my compositions and gave me a better understanding of all instruments which helps me with my composition assignmetns for the "University of Sidney"I am truly grateful to Cinematic Composing.
Very informative courses doesn't matter how much do you know/familiar about instruments in general an explanation from the composers himself is setting your mind and focus in the rigth way
What I like the most about CC is the value that it gives you and all the learnings that you can get from top industry professionals!
WHAT OTHER COMPOSERS/STUDENTS HAVE TO SAY TO YOU :)
Stephen S.- Queensland, Australia
"I now have plenty of techniques I can use to enhance my compositions, and the knowledge of how to express my musical ideas."
AMAZING VALUE for an aspiring composer!Since I had heart surgery recently, I have had to slow down physically and decided to embark on a career as a composer.
I know I have much music inside me, waiting to burst out, but don't yet have the technical knowledge to express it as a composer.
Someone recommended the Essential Composing Foundation course and I have found it to be excellent value.
Some of the most helpful sections to me are:- Harmony and Emotions- Telling a Story with Harmony- Marc's 5 Layers System- Ways of Creating Separation in parts- Sound Combinations
Ryan Carrico - Sunnyvale, California
"I'm so glad to have joined Marc in Cinematic Composing and was able to quickly get my little film scored using every last tip, trick, and tool."
What I needed when I needed itI took this course soon after joining with CC because I was working ( or attempting to work ) on a short fantasy animation film. I was underqualified in every way to take this task on solo which is why I'm so glad to have joined Marc in Cinematic Composing and was able to quickly get my little film scored using every last tip, trick, and tool in the fantasy music portion of the Film Music Cliches course. Now I'm able to more quickly come up with ideas that more easily fit into specific genres for film and I owe it all to Cinematic Composing. Thanks, Ryan
OUR WORLD WIDE COMMUNITY
One of the biggest perks of a traditional music school is networking with other talented composers. That's why we've created a private Facebook page designated for members to collaborate, share work, give/receive feedback, ask questions, share articles, and learn and grow together.
JOIN THE CHALLENGE AND GETMORE THAN 11-HOURS WORTH OF CONTENT!
OH! and the MASTERCLASSES... (yes, the ones with HOLLYWOOD composers, orchestrators, mixing engineers, etc) [YES, YES! the ones that are ONLY available in this challenge... nowhere else!]
and the direct access to me...
and... the COMMUNITY of more than 9.000 people and growing (do you have any problem? don't stress out! :) Rest assured one of them has had it before ;) and will be more than happy to help YOU work through it! :)
FEEDBACK sessions (join one of these and a teacher will review your music)
Regular contests (win prices!!! yey!!!)
and THE BES OF THE BEST... DISCOUNTS to SAMPLE LIBRARES & PLUGINS to all our students!! 20% 30% 40% and up to 50% 🔥
WHAT DO OUR STUDENTS SAY?
“Ideal for those who want to get started in the art of writing music for orchestra”
Video and PDF lessons
100+ videos, 15+ hours
Weekly live video-chat
with your instructor and the rest of the class
Assignments
personally reviewed by your teacher
Private Facebook Group
to give you support
Lifetime access
to the course materials, private group & weekly chats
Lifetime updates
with new content added on a steady basis
FREQUENTLY ASKED QUESTIONS
I don't have time to take this challenge/course right now. Should I still buy it?
YES. You can go at your own pace. Don’t need to follow the challenge/course’s schedule. The challenge and course materials do not expire and you’ll have access to them for life. Even for the future updates and improvements!
You can do it a bit faster, or take as much time as you want/need.
Or you could even take advantage of the discount now, and be doing the challenge later.
I'm using ________ (name any sequencer here). Can I still take the challenge?
We use Cubase. But, all the concepts that you'll learn apply across the board, no matter what sequencer you use. In fact, more than a 1/2 of our students are Logic users.
The same concept about libraries. You can learn and apply all the concepts taught in the challenge and course using any free library. I'll give you a list of free libraries that you can download. Once you're in the challenge, you'll have a better idea of what is the next library that you wanna buy.
Do I need to buy any sample library before taking this challenge?
I'll give you a list of free libraries that you can download. So no. No need to buy any library.
Also, once you enroll to this course, you can get access to discounts on many sample libraries and plugins! Just ask for a certificate of enrollment once you're in.
This course will pay for itself with the amount of money you'll save from educational discounts you'll get! ;)
How long will I have access to the challenge and course materials?
You’ll have access to the materials for life.
I cannot read music and have never taken orchestration classes or anything like that. I have learned everything by ear. Will I still be able to successfully complete the challenge?
Honestly, we have lots of fun and engaging conversations with students who don’t have formal training. Sometimes, when you’ve got a lot of training you can develop complexes or insecurities about what is right or wrong, what you should or shouldn’t do when composing, and so forth.
We’re recently getting more students who don’t read music and instead produce by ear.
If you’re one of those with little or no traditional formal training, you’ll still gain loads of practical, useful information and experience in this challenge.
Do I need a Mac to take this challenge? What type of computer do I need?
You don't need a Mac for this challenge. Marc uses a PC. Half of our students are Mac, the other half are PC.
Any computer, desktop or laptop, with an i5 or similar (i7 desired), 4-8Gb of RAM (16 desired), and 150Gb of free HDD storage for samples (SSD desired) will be enough to get you started. You can always upgrade later.
Do you have a refund policy?
Yes. We are giving you a full 30 DAYS to go through the training, implement what you learn, and watch your production skills begin to grow.
If you reach out within 30 days to show us that you haven’t seen any progress, then we’ll be happy to return the investment.
*Conditions apply. Please read Terms and conditions.
