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Symphonic Virtual Orchestration

Welcome
First steps
Synthestration. Tactics for a good sound
Introduction
Difference – Samples & Real Orchestra
Recording Dynamics
Balance
Balance - Bonus Video
Panning
Layers: Distributing your Musical Ideas
Volume: 7, 11, Kontakt, Audio, Gain, etc
Keyswitches
Equalization
Assignment
Using Templates to Boost Productivity
Introduction
Routing Concepts
Routing. Within Your Sequencer
Small & Big Templates. Pros & Cons
Minimum set-up
Modular Template (Sonar & Cubase)
Organization: Groups, Kontakt Instances, Buses, Stems
Organization - Bonus Video: Setting up your DAW for film scoring
Reverbs
Computer Specs
Assignment
Part 1: Arranging for Samples, Techniques Compilation
Introduction
Ready-to-go Tracks: configured and pre-routed
Getting a Tight & Powerful Orchestral Sound
Orchestrating Percussion Beds
Sequencing a Percussion Bed
Ensemble Patches: benefits and when to use them
Sequencing Long Strings
Sequencing Trumpets
Horn Patches: for an epic cinematic sound
Tremolo Strings
Low Staccato Strings: for an epic cinematic sound
Assignment
Part 2: Arranging for Samples, Techniques Compilation
Introduction
Sequencing Fast Strings - Three Approaches
Strings Measured Tremolos/Staccatos
The Timpani, as a main orchestral percussion instrument
Blending Orchestral and Percussion Parts
Blending Choir and Orchestra
Compressing Velocities. The easy way.
Is importing MIDI from the score editor to sequencer a good idea?
Sketching in your Sequencer
Assignment
Mixing (1). Secrets of the Pros
Introduction
Mixing with Stems
Analog Saturation
Reverb
Equalization
Compression
Automation: Where the Magic Happens
Bonus Video - Remember: a good mix cannot fix arranging/composing mistakes
Assignment
Mixing (2). Secrets of the Pros
Mixing - Overview Sections
Mixing - High Strings
Mixing - Low Strings
Mixing - Strings Automation
Mixing - Horns
Mixing - Trumpets
Mixing - Choirs
Mixing - Brass Ensemble
Mixing - Flute
Mixing - Electric Bass
Mixing - High Percussion
Mixing - Mid & Low Percussion
Mixing - Piano
Mixing - Celesta
Mixing - Harp
Mixing - Connecting Reverb
Mixed Track
Assignment
Mixing (3). Expanding Mixing Depth
Expanding Mixing Depth
Expanding Mixing Depth - Reverbs
Expanding Mixing Depth - Delays
Expanding Mixing Depth - FX
Expanding Mixing Depth - MaxxBass
Learning from the pros
Assignment
Mastering
Introduction
Mastering - Overview
Mastering - EQ
Mastering - Analog Saturation
Mastering - Dynamics
Mastering - Exciter
Mastering - Imager
Mastering - Maximizer
Mastering - Automation
Mastered Track
Bonus Video - Mastering with standard (non UAD) plugins
Assignment
Composing Workflow: Efficiency
Introduction
Composing
Assignment
Mixing
Bonus #1: Class A Composers' Systems, Explained
Introduction
Tom Holkenborg
Harry Gregson-Williams
John Powell
Bonus #2: Case Studios, Behind the Scenes (PRO Version)
Thriller/Spy/Comedy
Romantic Love Ballade - Part 1
Romantic Love Ballade - Part 2
Grand Orchestral Trailer - Intro
Grand Orchestral Trailer - Composing
Grand Orchestral Trailer - Mixing
Grand Orchestral Trailer - Mastering
Action/Adventure - Synthestration
Action/Adventure - Mixing 1
Action/Adventure Mixing 2
Bonus #3: Studio Ergonomics (PRO Version)
Basic Desk Schematics
Composer Desk Under $70
Minimal Gear and How to Distribute It in Your Desk
Bonus #4: Sample Libraries List (EXPERT Version)
Bonus #5: 1h Coaching Call with Marc (EXPERT Version)
Bonus #6: 1h Coaching Call with an active composer working in the Hollywood industry (EXPERT Version)

Compression

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